Monday, August 16, 2010

Four Great Words--I'm a Published Author by Peggy Clement

After about ten years of beginning my children’s chapter book, I can put those four words together- I’m a published author. (Ah, finally!) I must admit, not all those years were spent writing on the book. I actually lost it for about a year or two (that’s another story for another time). My husband was quite ill for several years which reduced my time to work on it. And despite even the setbacks with the publishing company once the contract was signed, I am proud to say that I just recently received the first complimentary copy from my editor.

It’s difficult to put into words the feeling of holding your published book in your hands for the very first time. To see something which started as a spark of one’s imagination come full circle is quite exhilarating. Despite the joy it brings me now, I know firsthand it can be discouraging at times because it can be a long and even lonely process.

If writing is your passion and your dream, I urge you to not give up. It was my dream for a long time. It wasn’t for the fame, and it certainly wasn’t for the fortune. But because I have been a reading teacher for over thirty years, I wanted to offer children who like reading one more book they could enjoy, and just maybe create a little change in attitude for those children who don’t like to read. With all the hurdles I had to jump, it would have been easy for me to give up and give that job to someone else. But I didn’t want that job to go to anyone else. I wanted to be the one to do it. The marketing and self promoting part is upon me now. This is a whole new avenue for me. I am getting guidance through my publisher, but it’s true what they say.

The ball is in the author’s court when it’s time for promotion
to begin. Being rather shy, “tooting my own horn”, is not something I am comfortable with. I am stepping out of my comfort zone, however, and tackling this endeavor head on. The love and support of my family, friends, and fellow writers is a huge help. I wouldn’t trade it for the world.

Continue your writing and make it happen so that one day you too can use those four great words: I’m a published author.

Good luck with it!


“Our greatest weakness lies in giving up-The most certain way to succeed is
always to try just one more time.” Thomas A. Edison

Peggy Clement is the author of her newly released book, “Queen of the Castle.” She is a contributing author of an upcoming anthology, “It’s in the Gulf.” Peggy is a member of Bayou Writers’ Group, Golden Triangle Writers Guild, and Society of Children’s Book Writers and Illustrators. She is a teacher and lives with her family in southeast Texas. Visit her website @ www.peggyclement.com

Tuesday, August 3, 2010

Hey, What a Great Idea!

At St. Davids Christian Writers conference this past June, I attended a storytelling workshop led by creative and inspiring author David Pierce. As writers, we often struggle to come up with good story ideas. Where do good story ideas come from? Pierce offered the following suggestions.

• Write about things you know. A doctor might write medical mysteries, a lawyer might write legal thrillers. If you’re an alien, write sci-fi.

• Study billboards and other advertising. See a good-looking model on a Calvin Klein underwear ad? Might it inspire you to write a romance story? View a commercial that makes you laugh out loud? Mull it over and write a humor essay.

• Think about your possessions. What do they mean to you? What can you do with them? What if someone stole your favorite (fill in the blank). Stand in your garage and randomly focus on a garden tool, a woodworking saw, a tattered beach chair. Allow your mind to wander.

• Ever come across a new word that fascinates you? Look it up. Can you write a story based on the definition?

• Have you recently been impacted by a concept – truth, justice, love, insanity -- and you can’t stop thinking about it. Can this concept inspire a story?

• You’re driving down the road or strolling along a sidewalk when you see something that causes you to do a double-take. A man pushes a grocery cart carrying everything he owns. Children giggle and shriek as they run through a gushing fire hydrant. A woman sits on a park bench and feeds her dog with a baby spoon. Unusual unique sightings can spark an idea for a story.

• Think about current fads. Pierce used the example of the “ . . . For Dummies” books. What if there was a book called “How to Kill Your Spouse for Dummies”? What might a character do with that?

• Take an established story and change the point of view. For example, tell Cinderella’s story from a step-sister’s perspective.

• Re-tell an old tale in modern day times. What would The Great Gatsby look like in 2010?

• Combine concepts from two different established stories. Think Robinson Caruso meets Hansel and Gretel. Would you dream up Island of the Witch Doctor?

• Watch the evening news, read magazines and newspapers. Current events provide continual story fodder.

• Sit in a crowded restaurant, an airport gate, a doctor’s office waiting room, or a hotel lobby and listen to the dialogue around you. Nonchalantly zero in on your children chattering away in the backseat of the car. Cell phone conversations can be especially interesting as you imagine what the other person is saying. Eavesdropping can be a most rewarding avenue for story ideas.

• Above all, in any situation or potential idea for a story, play “what if.” What if a chef at Kyoto loses control of his knife at a crowded table? What if you miss your exit on a highway in west Texas and the next exit is 235 miles away? What if, what if, what if . . . you get the idea?

Monday, August 2, 2010

My Editing Machete by Lori Hebert Leger


My WIP needs work. I have to admit I’m pleased with it. I’m hoping to launch it as the first in the sequel WHEN some bright, talented, agent/publisher with excellent taste realizes what a gem he’s got.

First I have to shorten the word count. This first draft is around 116,000 words – 16,000 to many. So, should I use the highlighter method where you highlight conflict and dialogue scenes in yellow, characterization in pink, and setting in blue? Then go back and delete or cut back scenes with too much pink or blue. That should eliminate any pages that don't contain enough white space/dialogue, right? Not as easy as it sounds.

I've adopted my own method of eliminating words. Once I finish the first draft, I read the entire thing again from the beginning. At first it’s difficult to switch gears from the create/write mode to the slash/edit mode. The first edit pass is where I find the obvious mistakes I've made; those pesky typos that my selective dyslexia seems to allow over and over again. You know, typing a V when I need a B or vice versa...agian instead of again, or God forbid I have to type the word Calcasieu. Inevitably, I'll type a y instead of a u…Calcasiey Parish? Must be a case of lazy fingers. That’s what my old spinster high school typing teacher, Miss Nora Saltzman would call it. Yes, I said TYPING classes…on a real electric Olivetti typewriter. ddd aaa ddd, dad dad dad. I’m that old.

Sometimes my laptop conspires against me. If my thumb touches the pad, the cursor will jump four lines and cause me to delete text I shouldn’t have deleted or add dialogue where it doesn't belong. A big problem, especially if I get distracted before I fix it. I go through the entire thing, and make the obvious corrections. When I’m done, I do it again. I start from the beginning and go all the way through it to catch even more wasted words and typos. Then what? I go through the whole thing at least one more time and read it aloud. If it doesn't sound natural, I fiddle around with it until it does. Or I cut it out, whichever gives me the best results.

It used to kill me to cut out complete sentences, but trimming two manuscripts of 140,000 words down to 95,000 and 100,000 words cured me of that little problem. Now when I edit, I eagerly look for paragraphs, or better yet, entire scenes that I can delete using my editing machete. There's nothing more torturous than getting rid of 40,000 words by deleting 4 or 5 at a time. I must admit it’s made me a better writer. It forced me to tell the story without all the extra weight and wasted space. I now find editing to be a piece of cake. Need to slash 5,000 words? Easy cheesy, folks; just let me get my machete.

Happy Writing…and Editing,
Lori Hebert Leger
Lori Leger has only been writing seriously for two years. In that time she's completed five full length novels in the Women's Fictional Romance genre. Visit her website HERE.

Monday, July 26, 2010

Choosing an Audience by Lori Hebert Leger


Okay, I admit it. My first try at writing was horrible. I know this, because after writing four more manuscripts I went back and re-read the first one. Awful, awful, awful…thank goodness I didn’t have the cahonas to send that one off or enter it in a contest. (I’m still editing that one.) I want to let you in on a little secret. When I first started writing, I thought I wanted to write R rated books. You know the kind I’m talking about. Where people cuss, fuss, and…other things.

Eventually, I had to stop and ask myself, who do I want to write for? Do I want to write for younger women who are looking for romance novels with hot, steamy, love scenes? Well folks, I tried my hand at writing a few scenes...really hot ones. It made me realize that, although I can write them, I don't want to. Frankly, just the thought of people reading a scene like that and knowing that I wrote it is embarrassing to me. I'm not a prude, and believe me, I'm no saint…I’ve read plenty of books like that over the years; but I am a Catholic, although I’m a lazy one. As a Catholic, I have a confession to make. I use my 84 year old mother as a thermometer for my writing. There, I’ve said it. If my mom, who's had eight children, and doesn't have a shy bone in her body, can't pass my manuscripts around to her friends in the garden club and Ladies' Alter Society without making excuses for my style of writing, then it's too hot. I don't care if my mom lives to be 110 and I'm a spry 77 years old, I still wouldn't want to disappoint her.

So, I’ve chosen my audience. I'm shooting for the middle age women, or men, who won't mind reading a book with only the occasional s.o.b., damn, or hell instead of the eff word. Someone who won't be disappointed when the hero and heroine don't rip each others' clothes off and make mad, passionate love on their first date. Oh, there’ll be sparks between them, don’t you worry. They may want to do those things, but I won't allow it...Not as long as mama's watching. ;-)
Happy Writing,
Lori

Lori Leger has only been writing seriously for two years. In that time she's completed five full length novels in the Women's Fictional Romance genre. She works full time in the Design section of the Department of Transportation and Development as an Engineer Technician 4 in Lake Charles. Lori is currently unpublished but hopes to rectify that situation in the near future.

Sunday, July 18, 2010

The Story of Me by Lori Hebert Leger

I just finished the first draft of the ‘new and improved’ version of my very first manuscript, Some Day Somebody. This is the story I wrote about me...or the new me...the one with a degree, a new career, the courage to walk away from a bad marriage, and the self confidence to find the love of my life. I never intended it for publishing because it was my life. So much so, that once I finished, my daughters refused to read it because of its personal nature.

After completing it, I immediately began a second manuscript, my head filled with ideas and characters. I used the two original characters and created new ones – coworkers and family friends from the original heroine’s hometown, a fictional town of Gardiner, taken from a real person, old Doc Gardiner. Doc Gardiner delivered so many babies in my hometown of Gueydan that they had a Doc Gardiner Day for him one year, with a parade and everything. He delivered me and all my siblings, as well as both my parents.

Okay, so I finished the second book, then began a third, using secondary characters from the previous book, then a fourth, and even a fifth. About halfway through the fifth book, something began to eat at me. The first story, Sam and Carrie’s story (I’ve changed all names to protect the innocent – and the guilty) never left me. It kept insisting that it needed to be told. After all, Carrie is the cornerstone of the five books - she’s the hub. Every character in my books either knows her or knows someone who does.

I jumped back on it, changed or removed the personal nature so that my daughters can read it and still face me afterwards, and added some drama and suspense to make it much more interesting. I revamped the story, in some ways telling it as I wish it had happened instead of as it did happen. I made Carrie wiser, less prone to losing her temper than I am, and infinitely more patient than I was at thirty-five years old when it all came about. I can almost see my daughters rolling their eyes at the nearer to perfect version of myself.

Seeing my life laid out in black print on a white page, I’ve come to accept something about myself. Doc Gardiner and my mom may have birthed me back in October of 1958, but ultimately, God and I are responsible for my re-birth back in December of 1993. In writing this story, I’ve come to realize that God presented the opportunities for me, but he also gave me the courage to step up and accept each and every one of them. Once I accepted the challenge, He closed doors and opened windows, essentially herding me to the destination He’d chosen for me. This time, instead of fighting Him and choosing my own path, I followed His lead and ended up exactly where I should be.

Happy Writing! ~Lori

Lori Leger has only been writing seriously for two years. In that time she's completed five full length novels in the Women's Fictional Romance genre. She works full time in the Design section of the Department of Transportation and Development as an Engineer Technician 4 in Lake Charles. Lori is currently unpublished but hopes to rectify that situation in the near future.

Sunday, July 11, 2010

Writer's Lair by Georgia Downer


Writer’s Lair is the presumptuous label for my writing space at home. I love this room. It’s filled with books, pictures, 3-ring binders containing hard copies of my stories, and a metal Whitman’s Sampler can stuffed with receipts from exotic adventures at Wal-Mart, JC Penney’s, Popeye’s, and other reminders of exciting daily living. A poster-sized tempera painting of 2 deer hangs in here. I did it in 7th or 8th grade and won 2nd prize in the art contest. Competition was light that year.

Much of my time here is spent not writing. I pay bills online, read way too much email, and browse the ‘net. Or work with Bob on his video about the 75 cars he’s owned. I chat with Katy, our 10-year old granddaughter who lives in Illinois and types faster than I do. I often cruise through the twenty-five cookbooks at my elbow for a new recipe for dinner. Or pick up my all-time favorite book from the bookcase behind me and read “Beautiful Joe” by Marshall Saunders one more time.

These are a few of the things that inspire (such an elegant word) me to set down mundane events and thoughts now and then. A polite prompt from Jessica for a BWG blog offering never hurts either. Recording those experiences will never make me a great writer, but doing so has created a happy one.
Keep writing!

Georgia Downer is BWG publicist. She writes essays and short fiction and has won prizes for her work. She's currently working on a novel.

Friday, July 2, 2010

REVISION, OR MAYBE SWIMMING WITH THE SHARKS by Harvey Honsinger

I'm going over my "baby"- -the first novel I wrote, and trying to re-format it (one space at the end of each sentence, punctuation-stuff like that) as well as rewriting awkward and unclear sentences and situations. I find stuff to correct, only to find that the next sentence clears it up. Is this bad? I read it 8 times, 4 in each version, and the more I do it the more neither seems correct nor better.

Show, don't tell. EVER? This is when the first shark appears. Will he eat the scene? Will he eat the author? Will he look at it and decide, "I wouldn't eat either on a bet." If he swims off and leaves the scene, have I been passed or passed over?

The dialogue shark swims over to look at the conversation carrying the action. Should it be ultra correct grammatically? Who talks like that? Realism rears its ugly head and repeats into my ear what I heard my character say in the vernacular of those about whom (gotcha there, didn't I?) I write. They don't talk like that. Y'all know it. Anybody who's been there'll set you straight on it. They won't correct you, but you'll get a side wise look wondering just how many days you rode the turnip truck before you fell off with your funny way of talkin'. Dialect can bog you down right up to your eyeballs which the dialogue shark will want to eat up and try to spit out as proper, sterile speech. Now what? Scratch his tummy or spread shark repellent? I lean toward the latter, but wonder if I have already leaned too far, fallen off the boat, and am both overboard and up to my eyeballs in dialectic speech and ready to fight the shark.

Now I wonder about the sharks. Am I relying too much on outside influences? Am I (quoting my wife) wringing all the flavor juices out of the work by jumping through other people's literary hoops and not relying on my own instincts?

Write what you know. I've heard this a bunch. I know how the people I write about sound. Grew up with them. Worked with them. Was loved, reared, and cherished by them- -black, white, and mixed, and loved and cherished them in return.

I'll borrow from Admiral Farragut at the Battle of Mobile Bay (Civil War), and paraphrase him:
"Damn the sharks. Full speed ahead." He won his battle.

Now, if the sharks don't get me, maybe I'll win mine and get published some day. Hope springs eternal.


Harvey Honsinger, a 6th generation Texan, has six completed novels--westerns and historicals--and is actively marketing them. His short stories and poetry have been published in Arena Literary magazine. Harvey is an active member of the Thursday BWG critique group.